Motorhead overkill12/5/2023 UK Postage Under 2Kg: Royal Mail 2nd Class We aim to provide great service and so if you are not happy with the products please inform us within 7 days of receiving as we offer a no quibbles returns policy. We will always try and find the cheapest method of sending your goods to you. We aim to keep our postage and packing charges as low as possible at all times. We will do our best to update you on any date changes as soon as we are informed of them.īuyers are responsible for the shipping costs and for overseas customers any duty and/or customs charges that are levied. We are at the mercy of our suppliers with regards to the release dates and it is beyond our control if these dates change. It is important to note however that release dates are subject to change. Pre-order items will be dispatched for delivery on the day of release. If the items need to be ordered from our suppliers this may take an additional 2-3 days however you will be informed by email about this. As far as I’m concerned, this is their magnum opus as well as a damn near perfect album.All items listed on the site as ‘in stock’ are available from the shop or from our suppliers and we aim to dispatch orders within 24 hours after receiving payment. While the band may not have intended to be anything more ambitious than simple rock ‘n roll, the musicianship puts forth some serious power and the songwriting has more variety than they are even given credit for. Having already debuted with a personality-defining mission statement, this is where everything truly comes together. The closing “Limb From Limb” also serves as an example of the shifts in sound, as it opens on a sleazy blues crawl and climaxes on another burst of speed.Īce of Spades may be the most famous Motörhead album, but Overkill is arguably their most important. “Capricorn” and “Metropolis” feel like the last hurrah for Lemmy’s Hawkwind-isms, the former being a personal favorite as it pairs a spacey stop-start pattern with echoing vocals calling out autobiographical reflections. Of course, there’s also a lingering sense of seventies-inspired dynamics that help set Overkill apart from the classic lineup’s subsequent outings. I also love the swing on ”No Class,” self-admitted ZZ Top ripoff riff and all, as well as the interweaving bass and vocal lines of “Tear Ya Down.” “Stay Clean” and “(I Won’t) Pay Your Price” keep the momentum going nicely, the former pairing a driving rhythm with washed out guitars and vocals while the latter has a more straightforward click-clack heft. The album’s other songs may not reach the same levels of intensity, but they still offer plenty of grit and attitude. Throw in Lemmy’s rock ’n roll declarations, relentless instrumental breaks, and two false endings and you’ve got an anthem that is simultaneously exhilarating and exhausting. Plenty of hard rock and metal bands had utilized double bass drumming by this point but you’d be hard pressed to find patterns with this degree of filth, especially when reinforced by these grimy bass lines and flailing solos. While Motörhead set a standard for high velocity openers with their self-titled song, they never had one with such a strong statement of intent as Overkill’s title track. There’s a real sense in pushing forward throughout, both as a band and throwing down a gauntlet of extremity for groups from Venom and Metallica to follow through the following decade. Having shed the baggage of early members and lingering material, this album sees the trio consolidate their tropes with boosted musicianship matched by focused songwriting. Motörhead may have established a strong identity with their self-titled album, but 1979’s Overkill could be seen as their true debut. Review Summary: Only way to feel the noise is when it’s good and loud
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